“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, November 4, 2013

The Derry Air

There’s something special in the Derry air, alright. About the only downside to the weekend’s trip to Derry for the ‘Killer Books’ festival was that I was still stuck on the M50 on the way home on Sunday evening when Sligo Rovers scored the winner in the Cup Final about three hours into injury time.
  Other than that, ‘Killer Books’ made for a very fine weekend indeed. As always, the best part of such events is meeting fellow scribes, such as Lee Child and Desmond Doherty (right and righter). I also had a couple of brief-but-lovely chats with Claire McGowan, Andrew Pepper, Stuart Neville, William Ryan, John McAllister, Arlene Hunt, Alan Glynn, Stephen Mearns and Ann Cleeves.
  On Friday afternoon I had the honour of taking part in a panel discussion on comedy crime fiction alongside Colin Bateman (who was a busy man, given that his ‘Teenage Kicks’ punk musical opened in Derry over the weekend) and Gerard Brennan, all of which was moderated in some style by the great Garbhan Downey.
  All told, ‘Killer Books’ was a huge credit to its curator, Brian McGilloway, who launched his latest offering, HURT, on the Friday evening. Here’s hoping that ‘Killer Books’ in Derry becomes an annual event …

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