“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Friday, March 2, 2012

“Ya Wanna Do It Here Or Down The Station, Punk?”: Paul Johnston

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
It changes on a daily basis - today, Michael Dibdin’s DEAD LAGOON. (Sorry, Raymond Chandler’s THE BIG SLEEP, James Ellroy’s WHITE JAZZ, Ian Rankin’s BLACK AND BLUE, Robert Wilson’s A SMALL DEATH IN LISBON, James Lee Burke’s IN THE ELECTRIC MIST WITH THE CONFEDERATE DEAD - best title award, and John Connolly’s THE KILLING KIND.)

What fictional character would you most like to have been?
It would have been Sherlock H, but he’s been debased by modern revamps. So how about the Continental Op, with fewer pounds and more hair?

Who do you read for guilty pleasures?
*Inhales deeply* Tolkien.

Most satisfying writing moment?
Finishing THE LAST RED DEATH (2003), my novel about terrorism in Greece. I’d been feeling like shit and it turned out I had a very nasty cancer (called ‘Thatcher’). Nearly didn’t see publication day...

The best Irish crime novel is …?
Aha! I won’t embarrass you by saying ABSOLUTE ZERO COOL (oops, I just did), so I’ll go for Eoin McNamee’s RESURRECTION MAN.

What Irish crime novel would make a great movie?
Well, they screwed up RESURRECTION MAN big time. I think Alan Glynn’s WINTERLAND fits the bill.

Worst / best thing about being a writer?
The blank page or screen/ the last hours of writing a novel, when everything - unbelievably - comes together.

The pitch for your next book is …?
THE GREEN LADY - Athens 2004: the Olympic Games, the eyes of the world, and a major industrialist’s daughter goes missing. Think Persephone, Hades and all hell breaking loose around PI Alex Mavros ...

Who are you reading right now?
David Lodge’s A MAN OF PARTS, about H.G. Wells - disappointingly little about the great SF books, mainly because ‘HG’ wasn’t shagging anything that moved when he wrote them. Crime novels I’ve read recently are Peter May’s THE BLACKHOUSE (over-rated), Christa Faust’s MONEY SHOT (not as revealing about the making of porn movies as I’d hoped ), Tony Black’s TRUTH LIES BLEEDING (good), Megan Abbott’s QUEENPIN (excellent) and Joyce Carol Oates’ ZOMBIE (the last word on serial killers and squirm-inducing, in a good way).

God appears and says you can only write OR read. Which would it be?
God? Who s/he? Anyway, obviously ‘write’. Then I could read what I’d written, thus sneakily defeating your conundrum.

The three best words to describe your own writing are …?
Political, fast-paced, violent. (Oh, and on the grounds that no one expects the Irish Inquisition, deep.)

Paul Johnston’s THE SILVER STAIN is published by Crème de la Crime.

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