“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, April 7, 2010

Boylan Point

It’s curtains for KT McCaffrey, folks. Or - dum-dum-DUM! - is it? “The latest of the excellent series featuring Dublin journalist Emma Boylan,” was how the Irish Independent’s Myles McWeeney described KT McCaffrey’s previous outing, THE CAT TRAP, and he may well find himself using the same phrase again one of these days. For lo! KT launches NO CURTAIN CALL on this coming Friday, April 9th, at the Central Hotel on Exchequer Street in Dublin, with special guest Betty Ann Norton doing the honours. All, as if it needs to be said, are welcome, and if anyone cuts up rough on the door, just tell them Crime Always Pays sent you. The gig kicks off at 6.30pm. Quoth the blurb elves:
When the naked, blood-encrusted body of a well-known property developer is discovered on a graveyard slab, the media frenzy surrounding the story is overwhelming. Investigative journalist Emma Boylan is assigned to the case but she soon discovers that she will be playing second fiddle to a rival male reporter, much to her displeasure. Peeved at being sidelined, Emma embarks on a line of inquiry that leads her deep into the dark side of London's West End. Dead bodies continue to turn up amid the most elaborate theatrical settings imaginable. Undeterred, she probes further into disturbing deeds that have been a long time hidden. Now she must peel away layer after layer of deception until events collide and spiral into a terrifying, spectacular climax …

No comments: