“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Saturday, May 2, 2009

“Ya Wanna Do It Here Or Down The Station, Punk?”: China Miéville

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
I never hanker to have written favourite books because I have too good a time reading them. In terms of the open-mouthed awe of realisation that the only appropriate attitude to what I’m reading is grateful humility, it would probably have to be Chandler, probably FAREWELL, MY LOVELY.

What fictional character would you most like to have been?
A superhero. As a kid it would have been Spiderman. Then for a while maybe Daredevil, minus the blindness. At the moment, probably Jack Hawksmoor from THE AUTHORITY, by Warren Ellis.

Who do you read for guilty pleasures?
Enid Blyton. Particularly the FAR-AWAY TREE books.

Most satisfying writing moment?
The last full stop. Are there any writers who don’t say that? I’m sure there are, but I can’t imagine ever giving any other answer.

The best Irish crime novel is …?
In an act of great impertinence I’m going to shove Flann O’Brien’s genre-bending THE THIRD POLICEMAN into the ‘Crime’ box, and award it this prize. Oh go on, let me – it has a murder, it has loquacious and philosophical police, it has a mystery, and it’s resoundingly excellent.

What Irish crime novel would make a great movie?
I can think of a few that might make great movies, but ‘would’ is a bit hopeful, given the duds-to-decent ratio of adaptations. Le Fanu’s UNCLE SILAS – another bit of genre-tendentiousness, maybe, but it is a mystery – has been filmed a couple of times, and I confess I’ve not yet seen either version, but I’d think it could be done brilliantly.

Worst / best thing about being a writer?
Best: getting paid to fantasise and blather. It’s an insanely lucky situation. Worst: the dynamic towards self-importance and/or solipsism.

The pitch for your next book is …?
A murder mystery set in a city at the edge of Europe that turns out to be a lot stranger than it first appears.

Who are you reading right now?
Christopher Caudwell’s ILLUSION AND REALITY, and Cormac McCarthy’s SUTTREE.

God appears and says you can only write OR read. Which would it be?
Read. But God and I are going to have serious words.

The three best words to describe your own writing are …?
… readers’ to decide.

China Miéville’s THE CITY AND THE CITY is published on May 15

1 comment:

Anonymous said...

Ah, second mention of China M this morning. Is this a trend?