“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, November 30, 2011

The PEN Is Mightier Than The Sword

I’m a wee bit conflicted, I think, about the overlap between crime fiction and true crime. It’s difficult to argue against the notion that fiction writers are influenced, to some extent at least, by the real crimes that take place beyond their writing caves; by the same token, I’m a bit wary of drawing parallels between a rise in murder statistics, say, and the number of novels being written about murders. Mostly, I think I’m a bit squeamish about the idea that fiction writers can trade in the very real misery and pain that is the consequence of many kinds of crime, all for the sake of it what is, for the greater part, entertainment and profit.
  Anyway, such notions may or may not be discussed at next week’s Irish PEN Event, ‘Crime Writing - Fiction and True Crime’, which takes place at the United Arts Club, 3 Upper Fitzwilliam St., Dublin 2, at 8pm on December 8th. The event will feature three Irish writers: Arlene Hunt, whose current novel is THE CHOSEN, and which opens with a Columbine-style high school massacre; Sandra Mara, a private investigator whose most recent title is DEAD MEN TALK; and Abigail Rieley, a freelance journalist and court reporter who has published two non-fiction crime titles, THE DEVIL IN THE RED DRESS and DEATH ON THE HILL.
  Sounds like a fascinating evening in prospect. All the details, including booking details and fee, can be found on the Irish PEN website

1 comment:

Peter Rozovsky said...

Mmm, they should bring in some Icelandic crime writers. In Iceland, they call four killings in a year an epidemic of violence. In some bars, they call four killings Saturday night.
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