“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Saturday, January 23, 2010

Casting A Cold Eye On Melanie Yeats

Ellen McCarthy got in touch this week, which was nice, to send me on a copy of her new novel, SILENT CROSSING, which was nicer still, and even included a note, which last had me trembling on the verge of ecstasy. Anyhoo, SILENT CROSSING is Ellen’s third offering, with the blurb elves wittering thusly:
A young man emerges from a car crash on a remote road in Boston. Although he walks away unscathed the crash has claimed an innocent life. Sixteen years later Melanie Yeats walks into a Garda station with her hands stained in blood. As she gradually reveals her story the detectives are left with more questions than answers. What is the connection between Melanie, her missing husband, the car crash in Boston and the death of a young woman? Is Melanie a murderer or a victim? Whose blood is on her hands? Where will her story lead them?
  For more, clickety-click here
  Also in touch was KT McCaffrey, to let me know the date and details of his launch for NO CURTAIN CALL, the latest Emma Boylan outing, but I’m not telling you them now because the launch isn’t until April and you’ll only forget. Herewith be the blurb elves:
When the naked, blood-encrusted body of a well-known property developer is discovered on a graveyard slab, the media frenzy surrounding the story is overwhelming. Investigative journalist Emma Boylan is assigned to the case but she soon discovers that she will be playing second fiddle to a rival male reporter, much to her displeasure. Peeved at being sidelined, Emma embarks on a line of inquiry that leads her deep into the dark side of London's West End. Dead bodies continue to turn up amid the most elaborate theatrical settings imaginable. Undeterred, she probes further into disturbing deeds that have been a long time hidden. Now she must peel away layer after layer of deception until events collide and spiral into a terrifying, spectacular climax …
  Also in touch this week, albeit indirectly, was Brian McGilloway, whose fourth Inspector Devlin novel landed on the mat. The blurb elves being a busy little bunch this week, here’s their take on THE RISING:
When Garda Inspector Benedict Devlin is summoned to a burning barn, he finds inside the charred remains of a man who is quickly identified as a local drug dealer, Martin Kielty. It soon becomes clear that Kielty’s death was no accident, and suspicion falls on a local vigilante group. Former paramilitaries, the men call themselves The Rising. Meanwhile, a former colleague’s teenage son has gone missing during a seaside camping trip. Devlin is relieved when the boy’s mother, Caroline Williams, receives a text message from her son’s phone, and so when a body is reported, washed up on a nearby beach, the inspector is baffled. When another drug dealer is killed, Devlin realises that the spate of deaths is more complex than mere vigilantism. But just as it seems he is close to understanding the case, a personal crisis will strike at the heart of Ben’s own family, and he will be forced to confront the compromises his career has forced upon him. With his fourth novel, McGilloway announces himself as one of the most exciting crime novelists around: gripping, heartbreaking and always surprising, The Rising is a tour de force – McGilloway’s most personal novel so far.
  Finally, and as my mother used to say, the dead arose and spoke to many – or near enough, for lo, Declan Hughes has started blogging again, the better to report on the many nice people saying many nice things about ALL THE DEAD VOICES. For all the skinny, clickety-click here

  This week I have been mostly reading: THE LOSS ADJUSTOR by Aifric Campbell; THE CAVES OF THE SUN by Adrian Bailey; and RIDDLEY WALKER by Russell Hoban.