“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, March 2, 2009

“Ya Wanna Do It Here Or Down The Station, Punk?”: Megan Abbott

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?

FAREWELL, MY LOVELY by Raymond Chandler. Perfectly structured, gains in texture with every read and is filled with luminous strangeness.

What fictional character would you most like to have been?

That’s an interesting question because most of my favourite characters are pretty doomed, so I can’t say I’d like to take their place. I’m going with Ned Beaumont, from THE GLASS KEY. Smart, wily, loyal and a survivor. I’d feel okay in his shoes. Except for that touch of tuberculosis. Second choice: Sammy Glick.

Who do you read for guilty pleasures?
Movie star biographies. I tear through them. Or really, really low-grade true crime. The kind that seems to have been published by some private press in a remote town in Idaho. My most recent favourite: Charles Stoker’s cop memoir, THICKER ‘N’ THIEVES, the basis for much of Ellroy’s LA Quartet.

Most satisfying writing moment?
When you know that, as unhappy as you might be with a piece of writing, anything else you do is just going to screw it up even more. So you have to stop. Doesn’t sound very satisfying, does it? And yet, somehow, it is.

The best Irish crime novel is …?
Any single sentence by Ken Bruen is a great Irish crime novel, a great crime novel, a great novel. Let’s say PRIEST.

What Irish crime novel would make a great movie?
Almost any of them. I think there’s something deeply cinematic about Irish crime fiction. To speak in possibly-annoying generalities, there’s that irresistible combination of high theatre, a tortured national history and lush, theatrical, epic (including epically profane) language. These are the stuff of great movies.

Worst / best thing about being a writer?
The best is the excuse to talk about books with people all the time. The worst is that empty maw at the centre of your soul that you feel staring at the blank computer screen.

The pitch for your next book is …?
BURY ME DEEP: tabloid love and murder in the 1930s. It’s based on the Winnie Ruth Judd murder case, which made headlines around the world. It had it all: booze, drugs, sex, degeneracy—and this sad, sad story at its centre: a lonely young woman who falls victim to her own desires and has to try to fight her way out.

Who are you reading right now?
I recently finished Ace Atkins’s superb and haunting DEVIL’S GARDEN, which is a novel about the famous Fatty Arbuckle case, with a young Dashiell Hammett as one of the Pinkertons on the case. Next up: I just got an advance copy of Hard Case’s reissue of Jason Starr’s FAKE ID.

God appears and says you can only write OR read. Which would it be?
Read, definitely. Some days I wish He would say that!

The three best words to describe your own writing are …?
Fevery, urgent, compulsive.

Megan Abbott’s BURY ME DEEP will be published in July.

2 comments:

Gerard Brennan said...

Great interview!

What Irish crime novel would make a great movie?
Almost any of them. I think there’s something deeply cinematic about Irish crime fiction. To speak in possibly-annoying generalities, there’s that irresistible combination of high theatre, a tortured national history and lush, theatrical, epic (including epically profane) language. These are the stuff of great movies.


Megan Abbot's got very good taste (and a silver tongue).

gb

Peter Rozovsky said...

Exquisite taste, yes, as charming and silver-tongued a guide one would want to the world of twisted, self-destructive desires. Priest is my favorite Ken Bruen book.
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Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
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